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Category Archives: ballet

Keeping track

08 Thursday Mar 2012

Posted by e in ballet, flexibility, pole

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DataBecause I’m a bit of a data-freak, and was so anxious / excited to track my pole progress, I started tracking my pole workouts and all exercise / workouts at the beginning of 2011 – this was in terms of hours, so I could easily and quickly see on a high-level basis, how much time I was spending on exercise each week, each month (rolling 4-week periods), and adjust my activity level and training accordingly. For example, if I’ve been swamped at work, I would be able to immediately see my drop-off in activity and try to compensate. This is not as granular a detailed log of what specific exercises have been done, to understand the intensity of the workouts, like what can be done in Fitocracy, or what I’m trying to do in my pole journal, but it does give a quick snapshot overview of the hours, and the type of activities
does give an indication of intensity.

The below are charts of my 2011 weekly activity, 2012 weekly activity to date (ignore the average since it includes future zero values), and a comparison of both years.

2011 exercise

2011 exercise log

2012 exercise

2012 exercise log

2011 and 2012 comparison

2011 and 2012 comparison

My key takeaways from the chart are:
1) I’m exercising more in 2012 than 2011 so far
2) Pole is the only exercise I have managed to do consistently over
almost all of 2011
3) However, I’m cross-training a lot more this year (doing non-pole
stuff), which is driving up my exercise volume
4) My exercise is very seasonal!

#1 makes sense because: i) exercise is addictive, ii) to maintain the
rate of strength / fitness gains require higher volume and intensity
of exercises as one gets stronger and fitter overall, and iii) I’m
aiming to pass Level 5 and hopefully Level 6! (which is looking less
and less likely as the months pass given my still-anaemic performance
to date and my various injuries (to be discussed another day). On the
bright side, the winter months are clearly the trough of my activity
levels (barring holidays, which are indicated by consecutive blank
weeks), and I’m already exercising more this year than last, so
hopefully my strength gains will improve throughout the year!

#2 makes sense because pole is my main passion, and all my other
exercise is more or less in support of pole, and to the extent they
conflict or negatively impact pole, I will de-prioritise or drop them.

I’m cross-training a lot more this year (#3) because increasingly I’m
learning about the benefits and criticality / importance of
cross-training:

i) FLEXIBILITY: As we build more muscle and get
stronger, our muscles tend to get stiffer and we lose on flexibility
unless we continually stretch, stretch, stretch to counter-act it, So
stretching and flexibility exercise are ON for me given my splits
goal, and anyway many pretty, advanced pole moves require a large
amount of flexibility (that’s where yoga and ballet comes in),

ii) LEAN-NESS: since most pole moves require a lot
upper body strength, particularly with power moves, polers tend to
bulk up on the upper body and develop an inverted-V, slightly manly
shape. While I quite like the powerful albeit slightly mannish look
(the Boy is much less of a fan), I don’t want to go over-board either.
So I need to keep stretching and lengthening my muscles (yoga and
ballet again),

iii) STAMINA: for overall fitness and stamina (for the
dancing element of pole dance), I really need to do cardio. Because
right now, I’m so unfit that I’m wheezing and panting like a
septuagenarian after a couple of minutes of spins and inversions – NOT
sexy. (Unfortunately, I haven’t found a cardio activity I like and can
do on a regular basis yet – on my to-do list!), iv) BALANCE: We
probably tend to use similar muscles / muscles groups over and over
again in pole, even if there is a wide of pole moves which use a wide
range of muscle groups. So, to give our usual muscles and / or joints
a rest, or to work them out in different ways, and balance the type of
movements that our body undertakes and balance out the stresses that
we place on our body, it’s best to train in other disciplines. (this
used to be belly dancing for me until I messed up my ligament from
that. Now this is ballet, yoga, pilates)

iv) STRENGTHENING (at least for me): I have an
incredibly weak core, which is quite shocking given the relatively
advanced level of poling I’m doing – it’s not that I’m super advanced,
it’s just that, for what I’m doing, I should have a much stronger
core; the fact that I can do the stuff that I do with such a weak
core, is very surprising if not downright amazing. So I need to
specifically work on my core strength – but off the pole, so as to
avoid over-training (this is Bootcamp pilates and ballet. Maybe a bit
of yoga as well)

The seasonality of my exercise (#4) is driven by the fact that: i)
winter is so cold and depressing that poling is almost a punishment
(cold poles!!) and I feel incompet ent because it’s difficult to get
warm and stay warm, and the poles are extra slippery, and ii) work
eases up in summer, so that’s when I try to cram in as many classes as
I can. Hopefully this pattern will hold this year, and my activity
levels will increase and I will become a super strong pole superstar
by the end of the year! (in my dreams…)

Okay, now that I’ve clearly demonstrated my obsessive- compulsive
tendencies to collect data and create lists, it’s time to stop my
monologue and try to look normal. *leans against wall in a cool pose*
-doo di doo-

Winter ballet fondu

12 Sunday Feb 2012

Posted by e in ballet

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fondu

Melting and shapeless - that's my fondu

I returned to class after a two-week break from ballet and any kind of exercise (got busy at work).

Even though my class is a drop-in class, the teacher slowly builds on the class content / programme, introducing new or more complex elements each week. Happily, I haven’t been away long enough for the entire class content to be unfamiliar, but there were several new exercises at the barré and the centre.

One of the new exercises at the barré was a fondu, which comes from fondre which means ‘to melt’ in French, but in ballet-speak, it means lowering the body with the support of on leg… I suppose like slowly melting cheese (yummy!). Our exercise was to stand on the leg closer to the barré, do a coupé with the other leg, then bend the standing leg (fondu), and then stand up to tendu. The teacher emphasised that both our legs had to stretch out simultaneously to tendu, not one after another like errant children coming to attention.

Another exercise at the barré that I’ve done before was to start from fifth position for the feet, then do a battement tendu, return to fifth, a glissé, return to fifth, and finally a grande battement, and we would start doing these from the front, to the diagonal, to the back, and then back to diagonal before finishing. At the beginning, I used to get really mixed up over the changes in feet position (working leg closing to the front vs. the back in fifth) when we were doing the exercises to the diagonal. I’ve gotten used to that over time, but I still often get mixed up with this tendu, glissé, grand battement exercise – often starting with a glissé (it’s quite addictive), and I guess many girls have the same problem, because before we started the exercise, the teacher asked us all to repeat after him “the first one’s a tendu”, and he would call that out during the exercise… which I found funny, but at least it worked!

In Centre, there was a new exercise too – more specifically, there was an exercise which we used to do at the barré, which has been moved to the centre. This consisted of doing a coupé, a passé, and then a coupé, before finishing in a plié. I really struggled with balance in this exercise, particularly when my left leg was the supporting leg. I was wobbling on my leg like a drunken ballerina. Not great. We have also progressed to doing more exercises requiring more advanced balancing skills – relevé in the centre with feet in both first and second positions.

Otherwise, we’re still having our little bounce-and-jumps and chassé, which I enjoy so much. Yay to bringin’ ballet back!

Bounce and chasse

22 Sunday Jan 2012

Posted by e in ballet

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ballet shoesBallet is surprisingly difficult. It’s surprising because the movements look so deceptively simple – who would’ve thought that moving your legs forward, diagonally forward, and back could be so difficult? Although it’s only difficult to do it correctly, with good form. I find myself concentrating hard on keeping my stomach tucked in, tailbone pointed down, weight in the heels, and legs straight… and I find myself perspiring, despite the fact that I’m just standing there, almost barely moving!

It’s my third week (and third day, since I’m only doing this once a week) of Absolute Beginner ballet, and we’ve started to do larger travelling movements across the room today – chassé. It was fun, chaotic, and absurd. Most of the girls were clearly still fairly shy absolute beginners (myself included), and the teacher had to get us to move to one side of the room, prompt us to get ready to chassé sideways across the room, four at a time. And there was a lot of messy, uncertain shuffling into and out of lines… some lines with five or six girls, others with only two.

I really enjoyed the chassé though… I like jumping, galloping movements… large, joyful movements that remind me of the freedom and joy of being a child. In my mind, I imagine myself jumping across a grassy field under a beautiful blue sky.

My favourite part of my three classes so far, have always been the petit saut (if that is what it is called. The teacher hasn’t named it yet) part of the class… where he puts on a cute little bouncy song, and we bounce bounce bounce bounce in first position, then do a little jump little jump little jump little jump (all in first position), after several repetitions of this, sometimes in groups (one half of the class will start first, and the second half follows in the next section of the music), we will then repeat this but in second position: we bounce bounce bounce bounce in second position, then do a little jump little jump little jump little jump (all in second position). I always end up with a silly grin on my face… I really love this bouncing and little-jumping that we’re doing… it feels a bit absurd, and yet really fun, and it’s like I’m a kid again, jumping on a bed (an imaginary trampoline)… but this time, encouraged to do so, instead of being asked to stop.

That’s what ballet does for me: it makes me feel young, and brings me back to my childhood.

New year, new groove

08 Sunday Jan 2012

Posted by e in ballet, flexibility

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Tags

ballet, splits

I went for my first ever ballet class in my life today. An absolute beginner’s class at Central School of Ballet. It was a surprisingly large class, with more than 30 students (I counted 33), including 4 boys. I guess the class is likely to get a little bit bigger – as people come back from the holiday season and resolve to exercise or try a new dance class, before it gets a little bit or a lot smaller – as people drop out.

It was all new for me – new postures, new movements, new vocabulary: bras bas, first position, second position, fifth position, demi-plié, plié, tendu, glissé, port de bras, rond de jambe.

It was quite difficult to keep the tailbone down, posture straight, shoulders down, hips facing forward, while doing demi-pliés, pliés, and tendus. But it was a good challenge to try to do everything properly.

I’m not quite sure yet if I will end up sticking with ballet in the longer term, but for now, I think I’d like to continue this little journey of exploration. I hope it will bring my (almost) as much joy and sense of accomplishment as pole has done – but not too much, since I have finite amount of time and resources, and will struggle to pursue both dance forms equally energetically. I think they will complement each other though: pole to strengthen, ballet to lengthen (the muscles) and to strengthen the core.

In the evening, J came over to do some stretching (we did the Felix Cane flexibility workout) and did splits. I took the splits measurements that I would be using as reference for my new year’s dance resolutions at the end of the year.

The measurements are as follows:

1) Box splits
Distance from right heel to the horizontal: 46.2cm
Distance from left heel to the horizontal: 47.4cm

2) Front / back splits (right leg front):
Distance to floor: 7.5cm

3) Front / back splits (left leg front):
Distance to floor: 6cm

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